About century years ago, Carl Jung retired from the 
			psychiatric sanitarium where he worked, to attend to his private 
			practice and to pursue his own studies of the Unconscious. Over the 
			next several years, even decades, Jung developed the heart and soul 
			of his analytical psychology.
			Last year, after decades of sequestering, a central artifact of this 
			study of his own Unconscious was published and translated. This Is 
			Jung’s Red Book. It is a hand written, calligraphic and illuminated, 
			illustrated with his own paintings, mandalas. 
Here Jung gives expression through fantasies of the nature 
			of the unconscious. The Red Book represents early appearances of 
			contents from the unconscious. As Jung himself says in his 
			autobiography, everything in his later psychology, his exploration 
			of alchemy, his investigation into the meaning of archetypes, his 
			formalizing of active imagination derives from these unvarnished 
			experiences of his own psyche his own confrontation with the 
			Unconscious.
It is one of those accidents of history that was at the 
			same time that the Rider Waite Smith tarot deck was published. Jung 
			himself seems not to have paid much attention to that innovative 
			deck, so that when he references tarot in some of his later notes he 
			is usually referring to the Marseille decks or some Swiss variation. 
When learning how to do active imagination in a therapeutic 
			setting, one learns that a way one comes to understand the meaning 
			of symbols that arise in one’s fantasies, be they from waking 
			reveries or sleeping images, is to amplify the symbols with other 
			symbols. To let them speak to us. Not only in the dim light of some 
			reductive rationality, but also as a way to uncover their deeper or 
			more universal meaning.
Likewise with good tarot reading, after we have a general 
			grasp of what the cards consensually mean, we should explore the 
			images on the cards as symbols, allowing the symbols to evoke other 
			symbols, until we have populated the whole world with a symbolic 
			imagescape. 
As one becomes a serious tarot reader, it is almost 
			impossible, not to be affected by the understanding of symbolism 
			current in analytical psychology and derived from Jung’s work. One 
			of the important ways that we can enrich our understanding of tarot 
			and, at the same time, drink from the source of Jungian insight, is 
			to apply our tarot reading with a reading of the Red Book itself. In 
			this way I am adding symbol upon symbols and am directly 
			experiencing the language of the birds, meaning, opening myself to a 
			pure unconscious dialogue with the unconscious. Perhaps the image 
			that makes this clear is like a glass bottom boat, where I am able 
			to see the undersea world without having to drown.
Jung’s fantasies in the Red Book act as keys within locks 
			that open the wellsprings of the Unconscious. Here they are 
			unvarnished, and though he provides some commentary, it is of the 
			initial sort, that is still under the sway of the numinous material. 
			As I read these fantasies, I lay out tarot cards as a way of guiding 
			me further into the nature of the unconscious. I usually keep the 
			spread as simple as possible.
Usually one card is all that I draw upon and then I ask of 
			the card what it has to say about the fantasy and what the fantasy 
			has to say about the card. Because the content of the Red Book is so 
			rich I am a layout several cards in a pattern to encompass various 
			aspects of the fantasy. What I have discovered here in learning how 
			to reread my tarot cards in conjunction with the content of the Red 
			Book is that the symbolic meaning of the cards on many levels is 
			much richer than we are led to practice when attempting to apply 
			tarot card meanings merely to the happenstance is of somebody’s 
			everyday life.
I highly recommend that you make part of your tarot study a 
			opening to the Unconscious by applying tarot cards to myths, fairy 
			tales, alchemical allegories, stories, and when and if you’re so 
			inclined, profound guides to the Unconscious such as Carl Jung’s Red 
			Book. The one condition that I would suggest is the gentle 
			reflection of the puzzle of the fantasy and its symbols with the 
			learned understanding of the tarot card being only the prelude to 
			what the card it may itself be suggesting about the fantasy. 
			Likewise realize that because of the accident of that card coming up 
			with this symbol and what it may mean is also opening new ways for 
			you to understand not only the meaning of the fantasy but also the 
			meaning of the tarot card. In this way we invite ourselves into a 
			deeper and more profound level of association as far as what the 
			cards mean.
Obviously it makes sense to keep these explorations in your 
			own tarot journal. That the nature of the symbols may not readily 
			makes sense to you, nor is it necessarily true that the ready at 
			hand explanation is the most accurate. Maintaining a sense of 
			puzzlement, bewilderment, perplexity, all opens one to the 
			continuing influence of possible deeper and surprising integration. 
			All symbols are multi-valent and so should never be reduced to 
			merely a handful of associations.
This study will constantly reinvigorate the familiar 
			symbols on the card so that they address greater levels of meaning 
			and significance. Remember that as we learn the special ways of 
			understanding the tarot and how it applies to the secret connection 
			of things with one another, they are gifts that are to be treasured 
			and also shared with the tarot community. 
May the language of the birds free you in flight whether it 
			be day or night.
			
William Lindsay Gresham's Nightmare Alley Tarot
Becoming Familiar with our Prometheas
Charles Williams and the Greater Trumps (1950)
Weekly Teleconference Study of Meditations on the Tarot by Anonymous
Memories of the Past, Memories of the Future: Semiotics and Tarot-- Semetsky
No.17: Inna Semetsky, "Semanalysis in the Age of Abjection
The Magician’s Autopoietic Action, or Eros Contained and Uncontained
Thoor Ballyee: W.B. Yeats' Tower
What evil lurks in the hearts of men? The Shadow!
Semetsky-The-Language-of-Signs-Semiosis-and-the-Memories-of-the-Future
Semetsky-Tarot-as-a-Projective-Technique